Description of the picture: Flora – Titian Vecellio. Around 1515-1517. Canvas, oil. 79.7×63.5 The one who is depicted in the presented painting by Titian (1488
Painting The Great Metaphysician, Giorgio de Chirico, 1924
Description of the picture: The great metaphysician is de Chirico. 1924.110×80 The war, the long months spent with fighters in the infirmary in the Bella
Metaphysical interior with cookies, de Chirico, 1968
Description of the picture: Metaphysical interior with cookies – de Chirico. 1968. 80×60 Composition "Metaphysical interior with cookies" lost the stuffy atmosphere of a closed
Metaphysical interior – de Chirico. 1917
Description of the picture: Metaphysical interior – de Chirico. 1917. 45.8×30.2 During the First World War, in 1917, de Chirico served in the infirmary in
Painting Station Montparnasse, Giorgio de Chirico, 1914
Description of the picture: Station Montparnasse de Chirico. 1914.140×184.5 This work appeared during de Chirico’s first stay in Paris in the summer of 1911, when,
Painting Tower, Giorgio de Chirico, 1913
Description of the picture: Tower – Giorgio de Chirico. 1913.115.5×45 Tower, together with arches and columns, de Chirico’s favorite motif, inspired by addictions to ancient
Painting The Rising Sun, Giorgio de Chirico, 1930
Description of the picture: The rising sun is Giorgio de Chirico. 1930. Wood, tempera Giorgio de Chirico (1888-1978), an Italian painter and art theorist, rightfully
The Prodigal Son, Giorgio de Chirico – description of the painting
Description of the picture: The Prodigal Offspring – Giorgio de Chirico. 1922. Oil on canvas. 87 x 59 cm A special reality consisting of objects
Melancholy and the mystery of the street, Giorgio de Chirico
Description of the picture: Melancholy and hidden streets – Giorgio de Chirico. 1914. Oil on canvas. 87×71.5 cm “Melancholy and the secret of the street”
The Creation of Animals, Jacopo Tintoretto, 1550
Description of the picture: The Creation of Animals – Jacopo Tintoretto. 1550. Oil on canvas. 151×258 Tintoretto cooperated in his own work with Venetian colorism