Description of the picture: Landscape with Acis and Galatea – Claude Lorren. 1657. Oil on canvas. 100x1Z5 Deciding to make a seascape, Lorren (1600-1682) resurrected
Landscape with Aeneas on Delos, Claude Lorren, 1672
Description of the picture: Landscape with Aeneas on Delos – Claude Lorren. 1672 The choice of characters in the picture of Claude Lorren (1672) takes
Departure of the Queen of Sheba, Claude Lorrain, 1648
Description of the picture: The departure of the Queen of Sheba – Claude Lorrain. 1648. Oil on canvas. 149×196 cm The master of the “nonexistent”
Landscape with merchants, Claude Lorren – description of the painting
Description of the picture: Landscape with the merchants – Claude Lorren. 1628. Oil on canvas, 97.2 x 143.6 Claude Lorren dedicated all his work to
Port at sunset, Claude Lorren – description of the painting
Description of the picture: Port at sunset – Claude Lorren. 1639. Oil on canvas, 103×137 cm Seaports, slightly touched by the setting sun, or, on
Soap bubbles, Jean-Baptiste Simeon Chardin, 1734
Description of the picture: Soap bubbles – Jean Baptiste Simeon Chardin. 1734. Oil on canvas. 61×63 Charden all his life he painted still lifes and
“Silver tureen”, Jean Baptiste Simeon Chardin – description of the painting
Description of the picture: Silver tureen – Jean Baptiste Simeon Chardin. 1728. Oil on canvas. 76.2 x 108 cm A careful flowerpot, a fragile jug,
“Flowers in a Vase”, Jean Baptiste Simeon Chardin – description of the painting
Description of the picture: Flowers in a Veil – Jean Baptiste Simeon Chardin. 1760-1761. 45 x 37 cm French painter Jean Baptiste Simeon Chardin intended
“Caring nanny”, Jean Baptiste Simeon Chardin – description of the painting
Description of the picture: Zealous nanny – Jean Baptiste Simeon Chardin. 1747. Oil on canvas, 46.2 x 37 cm The family life of the French
Pallas expelling vices from the garden of virtues, Andrea Mantegna
Description of the picture: Pallas, expelling vices from the garden of virtues – Andrea Mantegna. C. 1499-1502 Mantegna wrote this painting (c. 1499-1502) for the